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Welcome to Urgent Genius, a collection of found and created content from around the globe. If it's trending we're on to it. At iris we've been tracking the trend of real-time creativity and Newsjacking since 2010. We call it Urgent Genius.
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The Editors
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Grant is the Regional Creative Director,
APAC for iris Worldwide. He co-created Urgent Genius in 2010 with Jon Burkhart and spoke at SXSW interactive 2011 and 2012 on the subject. He set up urgentgenius.com and co-authored the Urgent Genius Book with Jon. Grant is responsible for iris’ creative output across India, China, Indonesia, Singapore and Australia. He blogs for Campaign Asia and contributes to industry titles such as Contagious, Marketing and Campaign Brief. He has work published in the books Guerrilla Advertising and Advertising is Dead, Long Live Advertising.
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Jon is a Social Media Creative Consultan
t and Innovation Director. He coined the term "Urgent Genius" and co-created the social media HQ of the same name in 2010 with Grant Hunter. The pair also spoke at SXSW interactive 2011 and 2012 on the subject. He is now co-authoring the Urgent Genius book with Grant. He helps global clients like Sony Ericsson, Philips and adidas create shareable content and find ways to have a voice in the hot-topic conversations going on right now online. His work has featured on and offline in places like The Guardian, The Telegraph, Campaign and Rolling Stone. He also works with BBC Comedy as a social TV consultant. He tweets at @albinoriotman usually while commuting to work on his Kickped, the world’s fastest adults-only push-scooter.
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Sean Reynolds is the Global Creative Dir
ector of iris. As one of the founding partners from 1999, Sean has been responsible for the iris creative vision, it’s creative model and build of all the iris creative departments across the globe. Sean has been based in New York since 2007, where he has built another three creative offices in the region. In his role as Global CD he has also developed the creative product in other regions such as India, China, Singapore, Australia and Latin America. Sean studied at Central St. Martins, graduating in 1995 and has won a wide range of global awards across all disciplines. Sean’s opinion is regularly sought and he has talked at numerous events and seminars within the industry and he also sits on a number of adjudication panels for creative awards.
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Esty is Head of Planning at iris Worldwi
de NY, working on clients such as NOS, Coty, and a host of brands under Reckitt Benkiser. Prior to joining iris, Esty was VP, Associate Planning Director at BBDO for leading global clients, including Mars, P&G and Johnson & Johnson. Through her insightful understanding of audience attitudes and behaviors, Esty led the integrated strategic development for numerous iconic brands including M&M's, Milky Way, Venus, J&J Baby, Campbell's Soup, and Autism Speaks. When she's not at work you can find her mentoring aspiring planners as well as capturing moments with her camera all over NYC. You can chat more with her and see what peaks her interests @Esty501on Twitter.
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Though the London riots lasted for days, splintering off into trouble in other cities, very few Urgent Geniuses have emerged to turn the topical issue into humour. One site, however, has been grabbing worldwide attention. Photoshop Looter is a Tumblr blog, the result of some content by the author and a lot of fan-submitted efforts. Like the numerous ‘naming and shaming’ galleries it collates images of the London looters, only remaining them as something unexpected. Hooded kids playing jump-rope with the riot police, overpowering an ice-cream van or risking life and limb to make off with a toy giraffe.. the site uses surreal humor to highlight just how surreal real life can get. It’s featured already on the Huffington Post and has been shared over 130,000 times on Facebook. We interviewed the creative force behind the site, the mysterious PhotoshopLooter himself.
The riots were a bit of a slow-burn, till suddenly it seemed there was a house on fire and an army of angry Turks around every corner. How early on did you decide to create something in response?
Monday evening. Sat in an old street Vietnamese restaurant hearing sirens going past. Idea of humorous reaction popped into my head. Inspiration from battered prawns.
It seems appropriate to bring Tumblr into the riot fray; every other social media outlet has had some kind of role in it! How did you promote it, originally? Did you tweet it on #londonriots, or would that have been too much?
I did nothing except place on Facebook’s newsfeed. Within an hour it had thousands of tweets. Basically, I didn’t have time to seed it, it just flew.

Have you created similar projects previously? Are you a regular Tumblr user?
Some things, but nothing that has gone so global so fast. I wasn’t a Tumblr user before, but now with 10,000 plus followers I probably am. It’s a great tool which complements other social media, without being too multipurpose.
Starting out with the site, did you start with your own images before submissions started flooding in? Are you surprised at the Photoshop skills of the nation?
Yes, I created four images. The snake is my favorite, but people have done far better since. I’ve received a new of art about every minute. Sometimes five a minute. There’s a range of skills on display, although sometimes quality comes more from humour than Photoshop skills…
You still have only 3 followers on Twitter, but a massive number of Facebook likes.. do you think there’s a tendency for people to not ‘follow’ and only browse Twitter as a way of finding links to other outlets?
Someone else started up the Twitter account before me, the same goes for Facebook. Although the person seems to be following the Tumblr quite well… The idea itself has been tweeted many thousands of times, but yes, the Facebook share figure is pretty up there- 130k+.
Do you have a background in graphics?
I’m a writer/art director at an interesting london ad agency
One thing that comes to mind looking at Photoshop Looter is how much really iconic images, from war, especially, have often been altered with Photoshop’s lo-fi predecessors. Which do you think will be the most iconic images of the riots, and how have you decided to alter them?
Yes, Banksy springs to mind. I think really it will be the silly ones which really work and remain. The cat stealing and the dog walker in particular.

Social media, and in particular photos in social media, are now helping to incriminate the looters. Have any of the images on Photoshop Looter played a role in tracking down the rioters? It’d be a wonderful icing on the cake. you get convicted, and the whole world sees you rioting stealing a record by Abba…
Not sure. I think and hope these images will take some of the coolness out of what the looters have done – for them at least.
When’s the book out? And how on earth did that happen so quickly?!
Thank Lulu. Books out now, although I’m trying to find photographers and agencies to credit them and ask permissions as some are understandably angry at the copyright infringement. But that said, the money is going to great causes.
Many of the events, and resulting images from the riots really did seem surreal. Was Photoshop Looters created out of sheer bafflement at how things could get so bad so quickly?
Maybe subconsciously. I was very close to the action and just felt pretty unsympathetic to the looters. Looting is just low.

Which is your favorite of the images?
I like Catnick, and the guy who stole the other guys trousers.
Have you tracked their popularity? Which images attract the most interest?
Catnick, Cameron and Missing.
Does Justin Bieber know about this? Do you have an axe to grind against him? I hear he’s hanging out with rappers these days, trying to be a bit more ‘gangsta’.. you might hurt his feelings..
Not sure who he is.
Did the HuffPost tell you that they were featuring the site? And have you seen a spike in interest resulting from it?
Yes, most news outlets have asked permission which has been given readily. Although the site is only really a platform to spread the good work.
What platform has been the most effective in promoting the site; Twitter, Facebook, or simply the Tumblr itself combined with coverage in news media?
Analytics says that direct email has been pretty big. But yes, Twitter and FB have had been big helpers. We are well into the millions, which feels quite nice.
Are you still working with a standard free Tumblr template, and the Tumblr URL? Do you plan to keep the whole thing as simple and uncommercial as possible?
Yes. And yes. I think in life when you hit middle age you should keep dancing, but as for memes like this, they can try and dance but it can feel too forced. If it’s purpose can evolve though, I’d be happy with that.
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